{"id":41,"date":"2017-10-06T17:27:23","date_gmt":"2017-10-06T16:27:23","guid":{"rendered":"http:\/\/books.home.local\/omniana\/?post_type=front-matter&p=41"},"modified":"2018-08-17T18:35:47","modified_gmt":"2018-08-17T17:35:47","slug":"table-of-contents","status":"publish","type":"front-matter","link":"https:\/\/books.pjjk.net\/omniana\/front-matter\/table-of-contents\/","title":{"raw":"Table of Contents","rendered":"Table of Contents"},"content":{"raw":"

CONTENTS<\/h1>\r\nOF\r\n\r\nTHE FIRST VOLUME<\/em>.\r\n\r\n
\r\n\r\n\r\n\r\n
\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n
<\/td>\r\n<\/td>\r\n<\/td>\r\n<\/td>\r\n<\/td>\r\n<\/td>\r\nPage<\/i><\/td>\r\n<\/tr>\r\n
1<\/td>\r\nMirrors<\/a><\/td>\r\n\u2022<\/td>\r\n\u2022<\/td>\r\n\u2022<\/td>\r\n\u2022<\/td>\r\n1<\/td>\r\n<\/tr>\r\n
2<\/td>\r\nEtymology of Dunce<\/td>\r\n\u2022<\/td>\r\n\u2022<\/td>\r\n5<\/td>\r\n<\/tr>\r\n
3<\/td>\r\nPlum Pudding<\/td>\r\n\u2022<\/td>\r\n\u2022<\/td>\r\n\u2022<\/td>\r\n6<\/td>\r\n<\/tr>\r\n
4<\/td>\r\nMedical Poets<\/td>\r\n\u2022<\/td>\r\n\u2022<\/td>\r\n\u2022<\/td>\r\n8<\/td>\r\n<\/tr>\r\n
5<\/td>\r\nTaudry Lace<\/td>\r\n\u2022<\/td>\r\n\u2022<\/td>\r\n\u2022<\/td>\r\nib.<\/i><\/td>\r\n<\/tr>\r\n
6<\/td>\r\nThe Camel and the Needle<\/td>\r\n\u2022<\/td>\r\n\u2022<\/td>\r\n9<\/td>\r\n<\/tr>\r\n
8<\/td>\r\nCitoyenne<\/td>\r\n\u2022<\/td>\r\n\u2022<\/td>\r\n\u2022<\/td>\r\n12<\/td>\r\n<\/tr>\r\n
7<\/td>\r\nCauda Diaboli<\/td>\r\n\u2022<\/td>\r\n\u2022<\/td>\r\n\u2022<\/td>\r\nib.<\/i><\/td>\r\n<\/tr>\r\n
9<\/td>\r\nMethodist Camp Meetings<\/td>\r\n\u2022<\/td>\r\n\u2022<\/td>\r\n13<\/td>\r\n<\/tr>\r\n
10<\/td>\r\nLaw of the Mozcas<\/td>\r\n\u2022<\/td>\r\n\u2022<\/td>\r\n\u2022<\/td>\r\n21<\/td>\r\n<\/tr>\r\n
11<\/td>\r\nInferiority of Women<\/td>\r\n\u2022<\/td>\r\n\u2022<\/td>\r\n22<\/td>\r\n<\/tr>\r\n
12<\/td>\r\nSteam Engines<\/td>\r\n\u2022<\/td>\r\n\u2022<\/td>\r\n\u2022<\/td>\r\n23<\/td>\r\n<\/tr>\r\n
13<\/td>\r\nAristotle<\/td>\r\n\u2022<\/td>\r\n\u2022<\/td>\r\n\u2022<\/td>\r\n\u2022<\/td>\r\nib.<\/i><\/td>\r\n<\/tr>\r\n
14<\/td>\r\nArrow-headed letters<\/td>\r\n\u2022<\/td>\r\n\u2022<\/td>\r\n25<\/td>\r\n<\/tr>\r\n
15<\/td>\r\nThree methods of lessening the number of rats<\/td>\r\nib.<\/i><\/span><\/td>\r\n<\/tr>\r\n
16<\/td>\r\nTranslations<\/td>\r\n\u2022<\/td>\r\n\u2022<\/td>\r\n\u2022<\/td>\r\n27<\/td>\r\n<\/tr>\r\n
17<\/td>\r\nHell<\/td>\r\n\u2022<\/td>\r\n\u2022<\/td>\r\n\u2022<\/td>\r\n\u2022<\/td>\r\n28<\/td>\r\n<\/tr>\r\n
18<\/td>\r\nTransplanting Trees<\/td>\r\n\u2022<\/td>\r\n\u2022<\/td>\r\n\u2022<\/td>\r\n31<\/td>\r\n<\/tr>\r\n
19<\/td>\r\nSt Andrew's Cross<\/td>\r\n\u2022<\/td>\r\n\u2022<\/td>\r\n\u2022<\/td>\r\n32<\/td>\r\n<\/tr>\r\n
20<\/td>\r\nClock-Mill<\/td>\r\n\u2022<\/td>\r\n\u2022<\/td>\r\n\u2022<\/td>\r\n33<\/td>\r\n<\/tr>\r\n
21<\/td>\r\nLocke<\/td>\r\n\u2022<\/td>\r\n\u2022<\/td>\r\n\u2022<\/td>\r\n\u2022<\/td>\r\n34<\/td>\r\n<\/tr>\r\n
22<\/td>\r\nHans Engelbrecht<\/td>\r\n\u2022<\/td>\r\n\u2022<\/td>\r\n\u2022<\/td>\r\nib.<\/i><\/td>\r\n<\/tr>\r\n
23<\/td>\r\nEffect of Music upon animals<\/td>\r\n\u2022<\/td>\r\n\u2022<\/td>\r\n36<\/td>\r\n<\/tr>\r\n
24<\/td>\r\nDogs<\/td>\r\n\u2022<\/td>\r\n\u2022<\/td>\r\n\u2022<\/td>\r\n\u2022<\/td>\r\n38<\/td>\r\n<\/tr>\r\n
25<\/td>\r\nSt. Romuald<\/td>\r\n\u2022<\/td>\r\n\u2022<\/td>\r\n\u2022<\/td>\r\n40<\/td>\r\n<\/tr>\r\n
26<\/td>\r\nTouching for the Evil<\/td>\r\n\u2022<\/td>\r\n\u2022<\/td>\r\n43<\/td>\r\n<\/tr>\r\n
27<\/td>\r\nThe Oak of Marmre<\/td>\r\n\u2022<\/td>\r\n\u2022<\/td>\r\n\u2022<\/td>\r\n44<\/td>\r\n<\/tr>\r\n
28<\/td>\r\nInvention for the Blind<\/td>\r\n\u2022<\/td>\r\n\u2022<\/td>\r\n45<\/td>\r\n<\/tr>\r\n
29<\/td>\r\nWords and Symbols<\/td>\r\n\u2022<\/td>\r\n\u2022<\/td>\r\n\u2022<\/td>\r\n47<\/td>\r\n<\/tr>\r\n
30<\/td>\r\nStilling the Sea with Oil<\/td>\r\n\u2022<\/td>\r\n\u2022<\/td>\r\n48<\/td>\r\n<\/tr>\r\n
31<\/td>\r\nAn heptastic Vocable<\/td>\r\n\u2022<\/td>\r\n\u2022<\/td>\r\n49<\/td>\r\n<\/tr>\r\n
32<\/td>\r\nService for the Prisoners<\/td>\r\n\u2022<\/td>\r\n\u2022<\/td>\r\n50<\/td>\r\n<\/tr>\r\n
33<\/td>\r\nMode of ventilating a Town<\/td>\r\n\u2022<\/td>\r\n\u2022<\/td>\r\n51<\/td>\r\n<\/tr>\r\n
34<\/td>\r\nMelancholy<\/td>\r\n\u2022<\/td>\r\n\u2022<\/td>\r\n\u2022<\/td>\r\n53<\/td>\r\n<\/tr>\r\n
35<\/td>\r\nMosquitos<\/td>\r\n\u2022<\/td>\r\n\u2022<\/td>\r\n\u2022<\/td>\r\n55<\/td>\r\n<\/tr>\r\n
36<\/td>\r\nCoup de soleil<\/td>\r\n\u2022<\/td>\r\n\u2022<\/td>\r\n\u2022<\/td>\r\n56<\/td>\r\n<\/tr>\r\n
37<\/td>\r\nAnthony Purver<\/td>\r\n\u2022<\/td>\r\n\u2022<\/td>\r\n\u2022<\/td>\r\n57<\/td>\r\n<\/tr>\r\n
38<\/td>\r\nThe Composition of Body in receiving<\/td>\r\n\u2022<\/td>\r\n58<\/td>\r\n<\/tr>\r\n
39<\/td>\r\nFr. Domenico Ottomano<\/td>\r\n\u2022<\/td>\r\n\u2022<\/td>\r\n60<\/td>\r\n<\/tr>\r\n
40<\/td>\r\nMenageries<\/td>\r\n\u2022<\/td>\r\n\u2022<\/td>\r\n\u2022<\/td>\r\n70<\/td>\r\n<\/tr>\r\n
41<\/td>\r\nJuan de Esquivel Navarro<\/td>\r\n\u2022<\/td>\r\n\u2022<\/td>\r\nib.<\/i><\/td>\r\n<\/tr>\r\n
42<\/td>\r\nThe Virgin Mary's Milk<\/td>\r\n\u2022<\/td>\r\n\u2022<\/td>\r\n73<\/td>\r\n<\/tr>\r\n
43<\/td>\r\nOmar II<\/td>\r\n\u2022<\/td>\r\n\u2022<\/td>\r\n\u2022<\/td>\r\n\u2022<\/td>\r\n74<\/td>\r\n<\/tr>\r\n
44<\/td>\r\nTomb-flies<\/td>\r\n\u2022<\/td>\r\n\u2022<\/td>\r\n\u2022<\/td>\r\n75<\/td>\r\n<\/tr>\r\n
45<\/td>\r\nThomas O'Brien Mac Mahon<\/td>\r\n\u2022<\/td>\r\n\u2022<\/td>\r\n77<\/span><\/td>\r\n<\/tr>\r\n
46<\/td>\r\nSolan Geese<\/td>\r\n\u2022<\/td>\r\n\u2022<\/td>\r\n\u2022<\/td>\r\n79<\/td>\r\n<\/tr>\r\n
47<\/td>\r\nHole's Arthur<\/td>\r\n\u2022<\/td>\r\n\u2022<\/td>\r\n\u2022<\/td>\r\n83<\/td>\r\n<\/tr>\r\n
48<\/td>\r\nPoetical Moods and Tenses<\/td>\r\n\u2022<\/td>\r\n\u2022<\/td>\r\n85<\/td>\r\n<\/tr>\r\n
49<\/td>\r\nGarden at Banstead<\/td>\r\n\u2022<\/td>\r\n\u2022<\/td>\r\n\u2022<\/td>\r\n86<\/td>\r\n<\/tr>\r\n
50<\/td>\r\nFoot-racing<\/td>\r\n\u2022<\/td>\r\n\u2022<\/td>\r\n\u2022<\/td>\r\n88<\/td>\r\n<\/tr>\r\n
51<\/td>\r\nQueen Mary's Funeral<\/td>\r\n\u2022<\/td>\r\n\u2022<\/td>\r\n89<\/td>\r\n<\/tr>\r\n
52<\/td>\r\nBunyan's Holy War<\/td>\r\n\u2022<\/td>\r\n\u2022<\/td>\r\n90<\/td>\r\n<\/tr>\r\n
53<\/td>\r\nA Dual Giant<\/td>\r\n\u2022<\/td>\r\n\u2022<\/td>\r\n\u2022<\/td>\r\nib.<\/i><\/td>\r\n<\/tr>\r\n
54<\/td>\r\nHenrietta Maria<\/td>\r\n\u2022<\/td>\r\n\u2022<\/td>\r\n\u2022<\/td>\r\n91<\/td>\r\n<\/tr>\r\n
55<\/td>\r\nThe worst of all Puns<\/td>\r\n\u2022<\/td>\r\n\u2022<\/td>\r\n93<\/td>\r\n<\/tr>\r\n
56<\/td>\r\nPoem attributed to Sir Walter Ralegh<\/td>\r\n\u2022<\/td>\r\n94<\/td>\r\n<\/tr>\r\n
57<\/td>\r\nSteel Mirrors for assisting the Sight<\/td>\r\n\u2022<\/td>\r\n99<\/td>\r\n<\/tr>\r\n
58<\/td>\r\nClassification of Novels<\/td>\r\n\u2022<\/td>\r\n\u2022<\/td>\r\n101<\/td>\r\n<\/tr>\r\n
59<\/td>\r\nCrocodile<\/td>\r\n\u2022<\/td>\r\n\u2022<\/td>\r\n\u2022<\/td>\r\n\u2022<\/td>\r\nib.<\/i><\/td>\r\n<\/tr>\r\n
60<\/td>\r\nSmall Wit<\/td>\r\n\u2022<\/td>\r\n\u2022<\/td>\r\n\u2022<\/td>\r\n103<\/td>\r\n<\/tr>\r\n
61<\/td>\r\nGrapes in Madagascar<\/td>\r\n\u2022<\/td>\r\n\u2022<\/td>\r\n104<\/td>\r\n<\/tr>\r\n
62<\/td>\r\nRichard Flecknoe<\/td>\r\n\u2022<\/td>\r\n\u2022<\/td>\r\n\u2022<\/td>\r\n105<\/td>\r\n<\/tr>\r\n
63<\/td>\r\nDefence of Popery<\/td>\r\n\u2022<\/td>\r\n\u2022<\/td>\r\n\u2022<\/td>\r\n110<\/td>\r\n<\/tr>\r\n
64<\/td>\r\nThe Wafer<\/td>\r\n\u2022<\/td>\r\n\u2022<\/td>\r\n\u2022<\/td>\r\n113<\/td>\r\n<\/tr>\r\n
65<\/td>\r\nMotteux<\/td>\r\n\u2022<\/td>\r\n\u2022<\/td>\r\n\u2022<\/td>\r\n\u2022<\/td>\r\n119<\/td>\r\n<\/tr>\r\n
66<\/td>\r\nPublic Accommodations<\/td>\r\n\u2022<\/td>\r\n\u2022<\/td>\r\nib.<\/i><\/td>\r\n<\/tr>\r\n
67<\/td>\r\nCatholic Devotion to the Virgin<\/td>\r\n\u2022<\/td>\r\n123<\/td>\r\n<\/tr>\r\n
68<\/td>\r\nCupid and Psyche<\/td>\r\n\u2022<\/td>\r\n\u2022<\/td>\r\n\u2022<\/td>\r\n128<\/td>\r\n<\/tr>\r\n
69<\/td>\r\nWriting Tables<\/td>\r\n\u2022<\/td>\r\n\u2022<\/td>\r\n\u2022<\/td>\r\n132<\/td>\r\n<\/tr>\r\n
70<\/td>\r\nLions of Romance<\/td>\r\n\u2022<\/td>\r\n\u2022<\/td>\r\n\u2022<\/td>\r\n134<\/td>\r\n<\/tr>\r\n
71<\/td>\r\nCortes<\/td>\r\n\u2022<\/td>\r\n\u2022<\/td>\r\n\u2022<\/td>\r\n\u2022<\/td>\r\n138<\/td>\r\n<\/tr>\r\n
72<\/td>\r\nCocoa Cordage<\/td>\r\n\u2022<\/td>\r\n\u2022<\/td>\r\n\u2022<\/td>\r\n141<\/td>\r\n<\/tr>\r\n
73<\/td>\r\nOdour of Sanctity<\/td>\r\n\u2022<\/td>\r\n\u2022<\/td>\r\n\u2022<\/td>\r\nib.<\/i><\/td>\r\n<\/tr>\r\n
74<\/td>\r\nMexican Tennis<\/td>\r\n\u2022<\/td>\r\n\u2022<\/td>\r\n\u2022<\/td>\r\n144<\/td>\r\n<\/tr>\r\n
75<\/td>\r\nAmadis and Esplandian<\/td>\r\n\u2022<\/td>\r\n\u2022<\/td>\r\n145<\/span><\/td>\r\n<\/tr>\r\n
76<\/td>\r\nThe Gossamer<\/td>\r\n\u2022<\/td>\r\n\u2022<\/td>\r\n\u2022<\/td>\r\n146<\/td>\r\n<\/tr>\r\n
77<\/td>\r\nShips' Names<\/td>\r\n\u2022<\/td>\r\n\u2022<\/td>\r\n\u2022<\/td>\r\nib.<\/i><\/td>\r\n<\/tr>\r\n
78<\/td>\r\nStationers in Spain<\/td>\r\n\u2022<\/td>\r\n\u2022<\/td>\r\n\u2022<\/td>\r\n148<\/td>\r\n<\/tr>\r\n
79<\/td>\r\nSindbad<\/td>\r\n\u2022<\/td>\r\n\u2022<\/td>\r\n\u2022<\/td>\r\n\u2022<\/td>\r\n150<\/td>\r\n<\/tr>\r\n
80<\/td>\r\nNebuchadnezzar<\/td>\r\n\u2022<\/td>\r\n\u2022<\/td>\r\n\u2022<\/td>\r\n152<\/td>\r\n<\/tr>\r\n
81<\/td>\r\nOmens<\/td>\r\n\u2022<\/td>\r\n\u2022<\/td>\r\n\u2022<\/td>\r\n\u2022<\/td>\r\n153<\/td>\r\n<\/tr>\r\n
82<\/td>\r\nMunchausen<\/td>\r\n\u2022<\/td>\r\n\u2022<\/td>\r\n\u2022<\/td>\r\n155<\/td>\r\n<\/tr>\r\n
83<\/td>\r\nCold Bathing in Fevers<\/td>\r\n\u2022<\/td>\r\n\u2022<\/td>\r\n157<\/td>\r\n<\/tr>\r\n
84<\/td>\r\nPayment of a Copyer of Books<\/td>\r\n\u2022<\/td>\r\nib.<\/i><\/td>\r\n<\/tr>\r\n
85<\/td>\r\nAnimals in Paradise<\/td>\r\n\u2022<\/td>\r\n\u2022<\/td>\r\n158<\/td>\r\n<\/tr>\r\n
86<\/td>\r\nGlover's Leonidas<\/td>\r\n\u2022<\/td>\r\n\u2022<\/td>\r\n\u2022<\/td>\r\n159<\/td>\r\n<\/tr>\r\n
87<\/td>\r\n*[1]<\/a><\/sup>The French Decade<\/td>\r\n\u2022<\/td>\r\n\u2022<\/td>\r\n161<\/td>\r\n<\/tr>\r\n
88<\/td>\r\nLabrador<\/td>\r\n\u2022<\/td>\r\n\u2022<\/td>\r\n\u2022<\/td>\r\n\u2022<\/td>\r\n164<\/td>\r\n<\/tr>\r\n
89<\/td>\r\n*Ride and Tie<\/td>\r\n\u2022<\/td>\r\n\u2022<\/td>\r\n\u2022<\/td>\r\n187<\/td>\r\n<\/tr>\r\n
90<\/td>\r\n*Jeremy Taylor<\/td>\r\n\u2022<\/td>\r\n\u2022<\/td>\r\n\u2022<\/td>\r\n188<\/td>\r\n<\/tr>\r\n
91<\/td>\r\n*Criticism<\/td>\r\n\u2022<\/td>\r\n\u2022<\/td>\r\n\u2022<\/td>\r\n189<\/td>\r\n<\/tr>\r\n
92<\/td>\r\n*Public Instruction<\/td>\r\n\u2022<\/td>\r\n\u2022<\/td>\r\nib.<\/i><\/td>\r\n<\/tr>\r\n
93<\/td>\r\nTractors<\/td>\r\n\u2022<\/td>\r\n\u2022<\/td>\r\n\u2022<\/td>\r\n\u2022<\/td>\r\n191<\/td>\r\n<\/tr>\r\n
94<\/td>\r\nBlackguard<\/td>\r\n\u2022<\/td>\r\n\u2022<\/td>\r\n\u2022<\/td>\r\n192<\/td>\r\n<\/tr>\r\n
95<\/td>\r\nFrith the Martyr<\/td>\r\n\u2022<\/td>\r\n\u2022<\/td>\r\n\u2022<\/td>\r\n193<\/td>\r\n<\/tr>\r\n
96<\/td>\r\nTostatus<\/td>\r\n\u2022<\/td>\r\n\u2022<\/td>\r\n\u2022<\/td>\r\n\u2022<\/td>\r\n195<\/td>\r\n<\/tr>\r\n
97<\/td>\r\n*Picturesque words<\/td>\r\n\u2022<\/td>\r\n\u2022<\/td>\r\n197<\/td>\r\n<\/tr>\r\n
98<\/td>\r\n*M\u00e9t\u00e9orolithes<\/td>\r\n\u2022<\/td>\r\n\u2022<\/td>\r\n\u2022<\/td>\r\n198<\/td>\r\n<\/tr>\r\n
99<\/td>\r\nMeditation and Contemplation<\/td>\r\n\u2022<\/td>\r\n200<\/td>\r\n<\/tr>\r\n
100<\/td>\r\nParchment Book-covers<\/td>\r\n\u2022<\/td>\r\n\u2022<\/td>\r\n203<\/td>\r\n<\/tr>\r\n
101<\/td>\r\nThe Carpenter Bird<\/td>\r\n\u2022<\/td>\r\n\u2022<\/td>\r\n204<\/td>\r\n<\/tr>\r\n
102<\/td>\r\n*Toleration<\/td>\r\n\u2022<\/td>\r\n\u2022<\/td>\r\n\u2022<\/td>\r\n205<\/td>\r\n<\/tr>\r\n
103<\/td>\r\n*War<\/td>\r\n\u2022<\/td>\r\n\u2022<\/td>\r\n\u2022<\/td>\r\n\u2022<\/td>\r\n206<\/td>\r\n<\/tr>\r\n
104<\/td>\r\nBishop Kenn<\/td>\r\n\u2022<\/td>\r\n\u2022<\/td>\r\n\u2022<\/td>\r\nib.<\/i><\/span><\/td>\r\n<\/tr>\r\n
105<\/td>\r\n*Parodies<\/td>\r\n\u2022<\/td>\r\n\u2022<\/td>\r\n\u2022<\/td>\r\n208<\/td>\r\n<\/tr>\r\n
106<\/td>\r\n*M. Dupuis<\/td>\r\n\u2022<\/td>\r\n\u2022<\/td>\r\n\u2022<\/td>\r\n209<\/td>\r\n<\/tr>\r\n
107<\/td>\r\nHereticks of the early ages<\/td>\r\n\u2022<\/td>\r\n\u2022<\/td>\r\n211<\/td>\r\n<\/tr>\r\n
108<\/td>\r\nThe Needle<\/td>\r\n\u2022<\/td>\r\n\u2022<\/td>\r\n\u2022<\/td>\r\n213<\/td>\r\n<\/tr>\r\n
109<\/td>\r\n*Origin of the Worship of Hymen<\/td>\r\n\u2022<\/td>\r\n215<\/td>\r\n<\/tr>\r\n
110<\/td>\r\n*Egotism<\/td>\r\n\u2022<\/td>\r\n\u2022<\/td>\r\n\u2022<\/td>\r\n216<\/td>\r\n<\/tr>\r\n
111<\/td>\r\n*Cap of Liberty<\/td>\r\n\u2022<\/td>\r\n\u2022<\/td>\r\n\u2022<\/td>\r\n217<\/td>\r\n<\/tr>\r\n
112<\/td>\r\nAblactation,\u2014as our old Dictionaries call it<\/td>\r\n218<\/td>\r\n<\/tr>\r\n
113<\/td>\r\n*Bulls<\/td>\r\n\u2022<\/td>\r\n\u2022<\/td>\r\n\u2022<\/td>\r\n\u2022<\/td>\r\n219<\/td>\r\n<\/tr>\r\n
114<\/td>\r\n*Wise Ingnorance<\/td>\r\n\u2022<\/td>\r\n\u2022<\/td>\r\n\u2022<\/td>\r\n221<\/td>\r\n<\/tr>\r\n
115<\/td>\r\nChange of Climate<\/td>\r\n\u2022<\/td>\r\n\u2022<\/td>\r\n\u2022<\/td>\r\n222<\/td>\r\n<\/tr>\r\n
116<\/td>\r\nGift of Tongues<\/td>\r\n\u2022<\/td>\r\n\u2022<\/td>\r\n\u2022<\/td>\r\n226<\/td>\r\n<\/tr>\r\n
117<\/td>\r\n*Rouge<\/td>\r\n\u2022<\/td>\r\n\u2022<\/td>\r\n\u2022<\/td>\r\n\u2022<\/td>\r\n227<\/td>\r\n<\/tr>\r\n
118<\/td>\r\n*\u0395\u03c0\u03b5\u03b1 \u03c0\u03c4\u03b5\u03c1\u03cc\u03b5\u03bd\u03c4\u03b1,\u00a0i.e.<\/i>\u00a0Hasty Words<\/td>\r\n\u2022<\/td>\r\n228<\/td>\r\n<\/tr>\r\n
119<\/td>\r\n*Motives and Impulses<\/td>\r\n\u2022<\/td>\r\n\u2022<\/td>\r\nib.<\/i><\/td>\r\n<\/tr>\r\n
120<\/td>\r\n*Inward Blindness<\/td>\r\n\u2022<\/td>\r\n\u2022<\/td>\r\n231<\/td>\r\n<\/tr>\r\n
121<\/td>\r\n*The Vices of Slaves no excuse for Slavery<\/td>\r\n232<\/td>\r\n<\/tr>\r\n
122<\/td>\r\n*Circulation of the Blood<\/td>\r\n\u2022<\/td>\r\n\u2022<\/td>\r\n234<\/td>\r\n<\/tr>\r\n
123<\/td>\r\n*Peritur\u00e6 parcere chart\u00e6<\/td>\r\n\u2022<\/td>\r\n\u2022<\/td>\r\n236<\/td>\r\n<\/tr>\r\n
124<\/td>\r\n*To\u00a0have<\/i>\u00a0and to\u00a0be<\/i><\/td>\r\n\u2022<\/td>\r\n\u2022<\/td>\r\n\u2022<\/td>\r\n237<\/td>\r\n<\/tr>\r\n
125<\/td>\r\n*Party Passion<\/td>\r\n\u2022<\/td>\r\n\u2022<\/td>\r\n\u2022<\/td>\r\n238<\/td>\r\n<\/tr>\r\n
126<\/td>\r\n*Goodness of Heart indispensible to a man of genius<\/td>\r\n239<\/td>\r\n<\/tr>\r\n
127<\/td>\r\n*Milton and Ben Jonson<\/td>\r\n\u2022<\/td>\r\n\u2022<\/td>\r\nib.<\/i><\/td>\r\n<\/tr>\r\n
128<\/td>\r\n*Statistics<\/td>\r\n\u2022<\/td>\r\n\u2022<\/td>\r\n\u2022<\/td>\r\n240<\/td>\r\n<\/tr>\r\n
129<\/td>\r\n*Magnanimity<\/td>\r\n\u2022<\/td>\r\n\u2022<\/td>\r\n\u2022<\/td>\r\nib.<\/i><\/td>\r\n<\/tr>\r\n
130<\/td>\r\nChristianus Franciscus Paullinus<\/td>\r\n\u2022<\/td>\r\n245<\/td>\r\n<\/tr>\r\n
131<\/td>\r\nSindbad<\/td>\r\n\u2022<\/td>\r\n\u2022<\/td>\r\n\u2022<\/td>\r\n248<\/td>\r\n<\/tr>\r\n
132<\/td>\r\nMostansir Billah<\/td>\r\n\u2022<\/td>\r\n\u2022<\/td>\r\n\u2022<\/td>\r\n249<\/td>\r\n<\/tr>\r\n
133<\/td>\r\nBishop Berkely<\/td>\r\n\u2022<\/td>\r\n\u2022<\/td>\r\n\u2022<\/td>\r\n251<\/span><\/td>\r\n<\/tr>\r\n
134<\/td>\r\nGovernment of Norcia<\/td>\r\n\u2022<\/td>\r\n\u2022<\/td>\r\n251<\/td>\r\n<\/tr>\r\n
135<\/td>\r\nEarly English Metre<\/td>\r\n\u2022<\/td>\r\n\u2022<\/td>\r\n253<\/td>\r\n<\/tr>\r\n
136<\/td>\r\nTroilus and Credseide<\/td>\r\n\u2022<\/td>\r\n\u2022<\/td>\r\n255<\/td>\r\n<\/tr>\r\n
137<\/td>\r\nMiraculous Combustion of wood without ashes, and oil without smoke<\/td>\r\n256<\/td>\r\n<\/tr>\r\n
138<\/td>\r\nTwo Modes of Atheism<\/td>\r\n\u2022<\/td>\r\n\u2022<\/td>\r\n262<\/td>\r\n<\/tr>\r\n
139<\/td>\r\nSea-fires<\/td>\r\n\u2022<\/td>\r\n\u2022<\/td>\r\n\u2022<\/td>\r\n\u2022<\/td>\r\n263<\/td>\r\n<\/tr>\r\n
140<\/td>\r\nGround-fires<\/td>\r\n\u2022<\/td>\r\n\u2022<\/td>\r\n\u2022<\/td>\r\n266<\/td>\r\n<\/tr>\r\n
141<\/td>\r\nDey<\/td>\r\n\u2022<\/td>\r\n\u2022<\/td>\r\n\u2022<\/td>\r\n\u2022<\/td>\r\n269<\/td>\r\n<\/tr>\r\n
142<\/td>\r\nThe Night Mare<\/td>\r\n\u2022<\/td>\r\n\u2022<\/td>\r\n\u2022<\/td>\r\n270<\/td>\r\n<\/tr>\r\n
143<\/td>\r\nSects in Egypt<\/td>\r\n\u2022<\/td>\r\n\u2022<\/td>\r\n\u2022<\/td>\r\n271<\/td>\r\n<\/tr>\r\n
144<\/td>\r\nThe Squid-hound<\/td>\r\n\u2022<\/td>\r\n\u2022<\/td>\r\n\u2022<\/td>\r\n273<\/td>\r\n<\/tr>\r\n
145<\/td>\r\nThe Stigmata<\/td>\r\n\u2022<\/td>\r\n\u2022<\/td>\r\n\u2022<\/td>\r\n274<\/td>\r\n<\/tr>\r\n
146<\/td>\r\nTree of Life<\/td>\r\n\u2022<\/td>\r\n\u2022<\/td>\r\n\u2022<\/td>\r\n276<\/td>\r\n<\/tr>\r\n
147<\/td>\r\nTentzelius<\/td>\r\n\u2022<\/td>\r\n\u2022<\/td>\r\n\u2022<\/td>\r\n282<\/td>\r\n<\/tr>\r\n
148<\/td>\r\nMayor. Merino<\/td>\r\n\u2022<\/td>\r\n\u2022<\/td>\r\n\u2022<\/td>\r\n287<\/td>\r\n<\/tr>\r\n
149<\/td>\r\nHe shall set the Sheep on his right hand, but the Goats on his left. Matt. xxv. 33.<\/td>\r\n289<\/td>\r\n<\/tr>\r\n
150<\/td>\r\nDogs at Court<\/td>\r\n\u2022<\/td>\r\n\u2022<\/td>\r\n\u2022<\/td>\r\n292<\/td>\r\n<\/tr>\r\n
151<\/td>\r\nFeasts<\/td>\r\n\u2022<\/td>\r\n\u2022<\/td>\r\n\u2022<\/td>\r\n\u2022<\/td>\r\n294<\/td>\r\n<\/tr>\r\n
152<\/td>\r\nGoldsmith<\/td>\r\n\u2022<\/td>\r\n\u2022<\/td>\r\n\u2022<\/td>\r\n296<\/td>\r\n<\/tr>\r\n
153<\/td>\r\nAqua Vit\u00e6<\/td>\r\n\u2022<\/td>\r\n\u2022<\/td>\r\n\u2022<\/td>\r\nib.<\/i><\/td>\r\n<\/tr>\r\n
154<\/td>\r\nTorrid Zone<\/td>\r\n\u2022<\/td>\r\n\u2022<\/td>\r\n\u2022<\/td>\r\n298<\/td>\r\n<\/tr>\r\n
155<\/td>\r\n*Negroes and Narcissuses<\/td>\r\n\u2022<\/td>\r\n\u2022<\/td>\r\n304<\/td>\r\n<\/tr>\r\n
156<\/td>\r\n* An anecdote<\/td>\r\n\u2022<\/td>\r\n\u2022<\/td>\r\n\u2022<\/td>\r\nib.<\/i><\/td>\r\n<\/tr>\r\n
157<\/td>\r\n*The Pharos at Alexandria<\/td>\r\n\u2022<\/td>\r\n\u2022<\/td>\r\nib.<\/i><\/td>\r\n<\/tr>\r\n
158<\/td>\r\n*Sense and Common Sense<\/td>\r\n\u2022<\/td>\r\n\u2022<\/td>\r\n305<\/td>\r\n<\/tr>\r\n
159<\/td>\r\n*Toleration<\/td>\r\n\u2022<\/td>\r\n\u2022<\/td>\r\n\u2022<\/td>\r\n308<\/td>\r\n<\/tr>\r\n
160<\/td>\r\n*Hint for a new Species of History<\/td>\r\n\u2022<\/td>\r\n313<\/td>\r\n<\/tr>\r\n
161<\/td>\r\nRabbinical Legend<\/td>\r\n\u2022<\/td>\r\n\u2022<\/td>\r\n\u2022<\/td>\r\n322<\/span><\/td>\r\n<\/tr>\r\n
162<\/td>\r\nSt. Vitus<\/td>\r\n\u2022<\/td>\r\n<\/td>\r\n\u2022<\/td>\r\n325<\/td>\r\n<\/tr>\r\n
163<\/td>\r\nBurial Grounds<\/td>\r\n\u2022<\/td>\r\n\u2022<\/td>\r\n\u2022<\/td>\r\n328<\/td>\r\n<\/tr>\r\n
164<\/td>\r\nImage Worship<\/td>\r\n\u2022<\/td>\r\n\u2022<\/td>\r\n\u2022<\/td>\r\n330<\/td>\r\n<\/tr>\r\n
165<\/td>\r\nEffect of Domestication upon the Skin and Tendons of Animals<\/td>\r\n331<\/td>\r\n<\/tr>\r\n
166<\/td>\r\nFiltering Apparatus<\/td>\r\n\u2022<\/td>\r\n\u2022<\/td>\r\n\u2022<\/td>\r\n332<\/td>\r\n<\/tr>\r\n
167<\/td>\r\nPalestine<\/td>\r\n\u2022<\/td>\r\n\u2022<\/td>\r\n\u2022<\/td>\r\n333<\/td>\r\n<\/tr>\r\n
168<\/td>\r\nEarth Bathing<\/td>\r\n\u2022<\/td>\r\n\u2022<\/td>\r\n\u2022<\/td>\r\n335<\/td>\r\n<\/tr>\r\n<\/tbody>\r\n<\/table>\r\n* The articles marked thus are by a different writer.<\/em>","rendered":"

CONTENTS<\/h1>\n

OF<\/p>\n

THE FIRST VOLUME<\/em>.<\/p>\n

\n
\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n
<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\nPage<\/i><\/td>\n<\/tr>\n
1<\/td>\nMirrors<\/a><\/td>\n\u2022<\/td>\n\u2022<\/td>\n\u2022<\/td>\n\u2022<\/td>\n1<\/td>\n<\/tr>\n
2<\/td>\nEtymology of Dunce<\/td>\n\u2022<\/td>\n\u2022<\/td>\n5<\/td>\n<\/tr>\n
3<\/td>\nPlum Pudding<\/td>\n\u2022<\/td>\n\u2022<\/td>\n\u2022<\/td>\n6<\/td>\n<\/tr>\n
4<\/td>\nMedical Poets<\/td>\n\u2022<\/td>\n\u2022<\/td>\n\u2022<\/td>\n8<\/td>\n<\/tr>\n
5<\/td>\nTaudry Lace<\/td>\n\u2022<\/td>\n\u2022<\/td>\n\u2022<\/td>\nib.<\/i><\/td>\n<\/tr>\n
6<\/td>\nThe Camel and the Needle<\/td>\n\u2022<\/td>\n\u2022<\/td>\n9<\/td>\n<\/tr>\n
8<\/td>\nCitoyenne<\/td>\n\u2022<\/td>\n\u2022<\/td>\n\u2022<\/td>\n12<\/td>\n<\/tr>\n
7<\/td>\nCauda Diaboli<\/td>\n\u2022<\/td>\n\u2022<\/td>\n\u2022<\/td>\nib.<\/i><\/td>\n<\/tr>\n
9<\/td>\nMethodist Camp Meetings<\/td>\n\u2022<\/td>\n\u2022<\/td>\n13<\/td>\n<\/tr>\n
10<\/td>\nLaw of the Mozcas<\/td>\n\u2022<\/td>\n\u2022<\/td>\n\u2022<\/td>\n21<\/td>\n<\/tr>\n
11<\/td>\nInferiority of Women<\/td>\n\u2022<\/td>\n\u2022<\/td>\n22<\/td>\n<\/tr>\n
12<\/td>\nSteam Engines<\/td>\n\u2022<\/td>\n\u2022<\/td>\n\u2022<\/td>\n23<\/td>\n<\/tr>\n
13<\/td>\nAristotle<\/td>\n\u2022<\/td>\n\u2022<\/td>\n\u2022<\/td>\n\u2022<\/td>\nib.<\/i><\/td>\n<\/tr>\n
14<\/td>\nArrow-headed letters<\/td>\n\u2022<\/td>\n\u2022<\/td>\n25<\/td>\n<\/tr>\n
15<\/td>\nThree methods of lessening the number of rats<\/td>\nib.<\/i><\/span><\/td>\n<\/tr>\n
16<\/td>\nTranslations<\/td>\n\u2022<\/td>\n\u2022<\/td>\n\u2022<\/td>\n27<\/td>\n<\/tr>\n
17<\/td>\nHell<\/td>\n\u2022<\/td>\n\u2022<\/td>\n\u2022<\/td>\n\u2022<\/td>\n28<\/td>\n<\/tr>\n
18<\/td>\nTransplanting Trees<\/td>\n\u2022<\/td>\n\u2022<\/td>\n\u2022<\/td>\n31<\/td>\n<\/tr>\n
19<\/td>\nSt Andrew’s Cross<\/td>\n\u2022<\/td>\n\u2022<\/td>\n\u2022<\/td>\n32<\/td>\n<\/tr>\n
20<\/td>\nClock-Mill<\/td>\n\u2022<\/td>\n\u2022<\/td>\n\u2022<\/td>\n33<\/td>\n<\/tr>\n
21<\/td>\nLocke<\/td>\n\u2022<\/td>\n\u2022<\/td>\n\u2022<\/td>\n\u2022<\/td>\n34<\/td>\n<\/tr>\n
22<\/td>\nHans Engelbrecht<\/td>\n\u2022<\/td>\n\u2022<\/td>\n\u2022<\/td>\nib.<\/i><\/td>\n<\/tr>\n
23<\/td>\nEffect of Music upon animals<\/td>\n\u2022<\/td>\n\u2022<\/td>\n36<\/td>\n<\/tr>\n
24<\/td>\nDogs<\/td>\n\u2022<\/td>\n\u2022<\/td>\n\u2022<\/td>\n\u2022<\/td>\n38<\/td>\n<\/tr>\n
25<\/td>\nSt. Romuald<\/td>\n\u2022<\/td>\n\u2022<\/td>\n\u2022<\/td>\n40<\/td>\n<\/tr>\n
26<\/td>\nTouching for the Evil<\/td>\n\u2022<\/td>\n\u2022<\/td>\n43<\/td>\n<\/tr>\n
27<\/td>\nThe Oak of Marmre<\/td>\n\u2022<\/td>\n\u2022<\/td>\n\u2022<\/td>\n44<\/td>\n<\/tr>\n
28<\/td>\nInvention for the Blind<\/td>\n\u2022<\/td>\n\u2022<\/td>\n45<\/td>\n<\/tr>\n
29<\/td>\nWords and Symbols<\/td>\n\u2022<\/td>\n\u2022<\/td>\n\u2022<\/td>\n47<\/td>\n<\/tr>\n
30<\/td>\nStilling the Sea with Oil<\/td>\n\u2022<\/td>\n\u2022<\/td>\n48<\/td>\n<\/tr>\n
31<\/td>\nAn heptastic Vocable<\/td>\n\u2022<\/td>\n\u2022<\/td>\n49<\/td>\n<\/tr>\n
32<\/td>\nService for the Prisoners<\/td>\n\u2022<\/td>\n\u2022<\/td>\n50<\/td>\n<\/tr>\n
33<\/td>\nMode of ventilating a Town<\/td>\n\u2022<\/td>\n\u2022<\/td>\n51<\/td>\n<\/tr>\n
34<\/td>\nMelancholy<\/td>\n\u2022<\/td>\n\u2022<\/td>\n\u2022<\/td>\n53<\/td>\n<\/tr>\n
35<\/td>\nMosquitos<\/td>\n\u2022<\/td>\n\u2022<\/td>\n\u2022<\/td>\n55<\/td>\n<\/tr>\n
36<\/td>\nCoup de soleil<\/td>\n\u2022<\/td>\n\u2022<\/td>\n\u2022<\/td>\n56<\/td>\n<\/tr>\n
37<\/td>\nAnthony Purver<\/td>\n\u2022<\/td>\n\u2022<\/td>\n\u2022<\/td>\n57<\/td>\n<\/tr>\n
38<\/td>\nThe Composition of Body in receiving<\/td>\n\u2022<\/td>\n58<\/td>\n<\/tr>\n
39<\/td>\nFr. Domenico Ottomano<\/td>\n\u2022<\/td>\n\u2022<\/td>\n60<\/td>\n<\/tr>\n
40<\/td>\nMenageries<\/td>\n\u2022<\/td>\n\u2022<\/td>\n\u2022<\/td>\n70<\/td>\n<\/tr>\n
41<\/td>\nJuan de Esquivel Navarro<\/td>\n\u2022<\/td>\n\u2022<\/td>\nib.<\/i><\/td>\n<\/tr>\n
42<\/td>\nThe Virgin Mary’s Milk<\/td>\n\u2022<\/td>\n\u2022<\/td>\n73<\/td>\n<\/tr>\n
43<\/td>\nOmar II<\/td>\n\u2022<\/td>\n\u2022<\/td>\n\u2022<\/td>\n\u2022<\/td>\n74<\/td>\n<\/tr>\n
44<\/td>\nTomb-flies<\/td>\n\u2022<\/td>\n\u2022<\/td>\n\u2022<\/td>\n75<\/td>\n<\/tr>\n
45<\/td>\nThomas O’Brien Mac Mahon<\/td>\n\u2022<\/td>\n\u2022<\/td>\n77<\/span><\/td>\n<\/tr>\n
46<\/td>\nSolan Geese<\/td>\n\u2022<\/td>\n\u2022<\/td>\n\u2022<\/td>\n79<\/td>\n<\/tr>\n
47<\/td>\nHole’s Arthur<\/td>\n\u2022<\/td>\n\u2022<\/td>\n\u2022<\/td>\n83<\/td>\n<\/tr>\n
48<\/td>\nPoetical Moods and Tenses<\/td>\n\u2022<\/td>\n\u2022<\/td>\n85<\/td>\n<\/tr>\n
49<\/td>\nGarden at Banstead<\/td>\n\u2022<\/td>\n\u2022<\/td>\n\u2022<\/td>\n86<\/td>\n<\/tr>\n
50<\/td>\nFoot-racing<\/td>\n\u2022<\/td>\n\u2022<\/td>\n\u2022<\/td>\n88<\/td>\n<\/tr>\n
51<\/td>\nQueen Mary’s Funeral<\/td>\n\u2022<\/td>\n\u2022<\/td>\n89<\/td>\n<\/tr>\n
52<\/td>\nBunyan’s Holy War<\/td>\n\u2022<\/td>\n\u2022<\/td>\n90<\/td>\n<\/tr>\n
53<\/td>\nA Dual Giant<\/td>\n\u2022<\/td>\n\u2022<\/td>\n\u2022<\/td>\nib.<\/i><\/td>\n<\/tr>\n
54<\/td>\nHenrietta Maria<\/td>\n\u2022<\/td>\n\u2022<\/td>\n\u2022<\/td>\n91<\/td>\n<\/tr>\n
55<\/td>\nThe worst of all Puns<\/td>\n\u2022<\/td>\n\u2022<\/td>\n93<\/td>\n<\/tr>\n
56<\/td>\nPoem attributed to Sir Walter Ralegh<\/td>\n\u2022<\/td>\n94<\/td>\n<\/tr>\n
57<\/td>\nSteel Mirrors for assisting the Sight<\/td>\n\u2022<\/td>\n99<\/td>\n<\/tr>\n
58<\/td>\nClassification of Novels<\/td>\n\u2022<\/td>\n\u2022<\/td>\n101<\/td>\n<\/tr>\n
59<\/td>\nCrocodile<\/td>\n\u2022<\/td>\n\u2022<\/td>\n\u2022<\/td>\n\u2022<\/td>\nib.<\/i><\/td>\n<\/tr>\n
60<\/td>\nSmall Wit<\/td>\n\u2022<\/td>\n\u2022<\/td>\n\u2022<\/td>\n103<\/td>\n<\/tr>\n
61<\/td>\nGrapes in Madagascar<\/td>\n\u2022<\/td>\n\u2022<\/td>\n104<\/td>\n<\/tr>\n
62<\/td>\nRichard Flecknoe<\/td>\n\u2022<\/td>\n\u2022<\/td>\n\u2022<\/td>\n105<\/td>\n<\/tr>\n
63<\/td>\nDefence of Popery<\/td>\n\u2022<\/td>\n\u2022<\/td>\n\u2022<\/td>\n110<\/td>\n<\/tr>\n
64<\/td>\nThe Wafer<\/td>\n\u2022<\/td>\n\u2022<\/td>\n\u2022<\/td>\n113<\/td>\n<\/tr>\n
65<\/td>\nMotteux<\/td>\n\u2022<\/td>\n\u2022<\/td>\n\u2022<\/td>\n\u2022<\/td>\n119<\/td>\n<\/tr>\n
66<\/td>\nPublic Accommodations<\/td>\n\u2022<\/td>\n\u2022<\/td>\nib.<\/i><\/td>\n<\/tr>\n
67<\/td>\nCatholic Devotion to the Virgin<\/td>\n\u2022<\/td>\n123<\/td>\n<\/tr>\n
68<\/td>\nCupid and Psyche<\/td>\n\u2022<\/td>\n\u2022<\/td>\n\u2022<\/td>\n128<\/td>\n<\/tr>\n
69<\/td>\nWriting Tables<\/td>\n\u2022<\/td>\n\u2022<\/td>\n\u2022<\/td>\n132<\/td>\n<\/tr>\n
70<\/td>\nLions of Romance<\/td>\n\u2022<\/td>\n\u2022<\/td>\n\u2022<\/td>\n134<\/td>\n<\/tr>\n
71<\/td>\nCortes<\/td>\n\u2022<\/td>\n\u2022<\/td>\n\u2022<\/td>\n\u2022<\/td>\n138<\/td>\n<\/tr>\n
72<\/td>\nCocoa Cordage<\/td>\n\u2022<\/td>\n\u2022<\/td>\n\u2022<\/td>\n141<\/td>\n<\/tr>\n
73<\/td>\nOdour of Sanctity<\/td>\n\u2022<\/td>\n\u2022<\/td>\n\u2022<\/td>\nib.<\/i><\/td>\n<\/tr>\n
74<\/td>\nMexican Tennis<\/td>\n\u2022<\/td>\n\u2022<\/td>\n\u2022<\/td>\n144<\/td>\n<\/tr>\n
75<\/td>\nAmadis and Esplandian<\/td>\n\u2022<\/td>\n\u2022<\/td>\n145<\/span><\/td>\n<\/tr>\n
76<\/td>\nThe Gossamer<\/td>\n\u2022<\/td>\n\u2022<\/td>\n\u2022<\/td>\n146<\/td>\n<\/tr>\n
77<\/td>\nShips’ Names<\/td>\n\u2022<\/td>\n\u2022<\/td>\n\u2022<\/td>\nib.<\/i><\/td>\n<\/tr>\n
78<\/td>\nStationers in Spain<\/td>\n\u2022<\/td>\n\u2022<\/td>\n\u2022<\/td>\n148<\/td>\n<\/tr>\n
79<\/td>\nSindbad<\/td>\n\u2022<\/td>\n\u2022<\/td>\n\u2022<\/td>\n\u2022<\/td>\n150<\/td>\n<\/tr>\n
80<\/td>\nNebuchadnezzar<\/td>\n\u2022<\/td>\n\u2022<\/td>\n\u2022<\/td>\n152<\/td>\n<\/tr>\n
81<\/td>\nOmens<\/td>\n\u2022<\/td>\n\u2022<\/td>\n\u2022<\/td>\n\u2022<\/td>\n153<\/td>\n<\/tr>\n
82<\/td>\nMunchausen<\/td>\n\u2022<\/td>\n\u2022<\/td>\n\u2022<\/td>\n155<\/td>\n<\/tr>\n
83<\/td>\nCold Bathing in Fevers<\/td>\n\u2022<\/td>\n\u2022<\/td>\n157<\/td>\n<\/tr>\n
84<\/td>\nPayment of a Copyer of Books<\/td>\n\u2022<\/td>\nib.<\/i><\/td>\n<\/tr>\n
85<\/td>\nAnimals in Paradise<\/td>\n\u2022<\/td>\n\u2022<\/td>\n158<\/td>\n<\/tr>\n
86<\/td>\nGlover’s Leonidas<\/td>\n\u2022<\/td>\n\u2022<\/td>\n\u2022<\/td>\n159<\/td>\n<\/tr>\n
87<\/td>\n*[1]<\/a><\/sup>The French Decade<\/td>\n\u2022<\/td>\n\u2022<\/td>\n161<\/td>\n<\/tr>\n
88<\/td>\nLabrador<\/td>\n\u2022<\/td>\n\u2022<\/td>\n\u2022<\/td>\n\u2022<\/td>\n164<\/td>\n<\/tr>\n
89<\/td>\n*Ride and Tie<\/td>\n\u2022<\/td>\n\u2022<\/td>\n\u2022<\/td>\n187<\/td>\n<\/tr>\n
90<\/td>\n*Jeremy Taylor<\/td>\n\u2022<\/td>\n\u2022<\/td>\n\u2022<\/td>\n188<\/td>\n<\/tr>\n
91<\/td>\n*Criticism<\/td>\n\u2022<\/td>\n\u2022<\/td>\n\u2022<\/td>\n189<\/td>\n<\/tr>\n
92<\/td>\n*Public Instruction<\/td>\n\u2022<\/td>\n\u2022<\/td>\nib.<\/i><\/td>\n<\/tr>\n
93<\/td>\nTractors<\/td>\n\u2022<\/td>\n\u2022<\/td>\n\u2022<\/td>\n\u2022<\/td>\n191<\/td>\n<\/tr>\n
94<\/td>\nBlackguard<\/td>\n\u2022<\/td>\n\u2022<\/td>\n\u2022<\/td>\n192<\/td>\n<\/tr>\n
95<\/td>\nFrith the Martyr<\/td>\n\u2022<\/td>\n\u2022<\/td>\n\u2022<\/td>\n193<\/td>\n<\/tr>\n
96<\/td>\nTostatus<\/td>\n\u2022<\/td>\n\u2022<\/td>\n\u2022<\/td>\n\u2022<\/td>\n195<\/td>\n<\/tr>\n
97<\/td>\n*Picturesque words<\/td>\n\u2022<\/td>\n\u2022<\/td>\n197<\/td>\n<\/tr>\n
98<\/td>\n*M\u00e9t\u00e9orolithes<\/td>\n\u2022<\/td>\n\u2022<\/td>\n\u2022<\/td>\n198<\/td>\n<\/tr>\n
99<\/td>\nMeditation and Contemplation<\/td>\n\u2022<\/td>\n200<\/td>\n<\/tr>\n
100<\/td>\nParchment Book-covers<\/td>\n\u2022<\/td>\n\u2022<\/td>\n203<\/td>\n<\/tr>\n
101<\/td>\nThe Carpenter Bird<\/td>\n\u2022<\/td>\n\u2022<\/td>\n204<\/td>\n<\/tr>\n
102<\/td>\n*Toleration<\/td>\n\u2022<\/td>\n\u2022<\/td>\n\u2022<\/td>\n205<\/td>\n<\/tr>\n
103<\/td>\n*War<\/td>\n\u2022<\/td>\n\u2022<\/td>\n\u2022<\/td>\n\u2022<\/td>\n206<\/td>\n<\/tr>\n
104<\/td>\nBishop Kenn<\/td>\n\u2022<\/td>\n\u2022<\/td>\n\u2022<\/td>\nib.<\/i><\/span><\/td>\n<\/tr>\n
105<\/td>\n*Parodies<\/td>\n\u2022<\/td>\n\u2022<\/td>\n\u2022<\/td>\n208<\/td>\n<\/tr>\n
106<\/td>\n*M. Dupuis<\/td>\n\u2022<\/td>\n\u2022<\/td>\n\u2022<\/td>\n209<\/td>\n<\/tr>\n
107<\/td>\nHereticks of the early ages<\/td>\n\u2022<\/td>\n\u2022<\/td>\n211<\/td>\n<\/tr>\n
108<\/td>\nThe Needle<\/td>\n\u2022<\/td>\n\u2022<\/td>\n\u2022<\/td>\n213<\/td>\n<\/tr>\n
109<\/td>\n*Origin of the Worship of Hymen<\/td>\n\u2022<\/td>\n215<\/td>\n<\/tr>\n
110<\/td>\n*Egotism<\/td>\n\u2022<\/td>\n\u2022<\/td>\n\u2022<\/td>\n216<\/td>\n<\/tr>\n
111<\/td>\n*Cap of Liberty<\/td>\n\u2022<\/td>\n\u2022<\/td>\n\u2022<\/td>\n217<\/td>\n<\/tr>\n
112<\/td>\nAblactation,\u2014as our old Dictionaries call it<\/td>\n218<\/td>\n<\/tr>\n
113<\/td>\n*Bulls<\/td>\n\u2022<\/td>\n\u2022<\/td>\n\u2022<\/td>\n\u2022<\/td>\n219<\/td>\n<\/tr>\n
114<\/td>\n*Wise Ingnorance<\/td>\n\u2022<\/td>\n\u2022<\/td>\n\u2022<\/td>\n221<\/td>\n<\/tr>\n
115<\/td>\nChange of Climate<\/td>\n\u2022<\/td>\n\u2022<\/td>\n\u2022<\/td>\n222<\/td>\n<\/tr>\n
116<\/td>\nGift of Tongues<\/td>\n\u2022<\/td>\n\u2022<\/td>\n\u2022<\/td>\n226<\/td>\n<\/tr>\n
117<\/td>\n*Rouge<\/td>\n\u2022<\/td>\n\u2022<\/td>\n\u2022<\/td>\n\u2022<\/td>\n227<\/td>\n<\/tr>\n
118<\/td>\n*\u0395\u03c0\u03b5\u03b1 \u03c0\u03c4\u03b5\u03c1\u03cc\u03b5\u03bd\u03c4\u03b1,\u00a0i.e.<\/i>\u00a0Hasty Words<\/td>\n\u2022<\/td>\n228<\/td>\n<\/tr>\n
119<\/td>\n*Motives and Impulses<\/td>\n\u2022<\/td>\n\u2022<\/td>\nib.<\/i><\/td>\n<\/tr>\n
120<\/td>\n*Inward Blindness<\/td>\n\u2022<\/td>\n\u2022<\/td>\n231<\/td>\n<\/tr>\n
121<\/td>\n*The Vices of Slaves no excuse for Slavery<\/td>\n232<\/td>\n<\/tr>\n
122<\/td>\n*Circulation of the Blood<\/td>\n\u2022<\/td>\n\u2022<\/td>\n234<\/td>\n<\/tr>\n
123<\/td>\n*Peritur\u00e6 parcere chart\u00e6<\/td>\n\u2022<\/td>\n\u2022<\/td>\n236<\/td>\n<\/tr>\n
124<\/td>\n*To\u00a0have<\/i>\u00a0and to\u00a0be<\/i><\/td>\n\u2022<\/td>\n\u2022<\/td>\n\u2022<\/td>\n237<\/td>\n<\/tr>\n
125<\/td>\n*Party Passion<\/td>\n\u2022<\/td>\n\u2022<\/td>\n\u2022<\/td>\n238<\/td>\n<\/tr>\n
126<\/td>\n*Goodness of Heart indispensible to a man of genius<\/td>\n239<\/td>\n<\/tr>\n
127<\/td>\n*Milton and Ben Jonson<\/td>\n\u2022<\/td>\n\u2022<\/td>\nib.<\/i><\/td>\n<\/tr>\n
128<\/td>\n*Statistics<\/td>\n\u2022<\/td>\n\u2022<\/td>\n\u2022<\/td>\n240<\/td>\n<\/tr>\n
129<\/td>\n*Magnanimity<\/td>\n\u2022<\/td>\n\u2022<\/td>\n\u2022<\/td>\nib.<\/i><\/td>\n<\/tr>\n
130<\/td>\nChristianus Franciscus Paullinus<\/td>\n\u2022<\/td>\n245<\/td>\n<\/tr>\n
131<\/td>\nSindbad<\/td>\n\u2022<\/td>\n\u2022<\/td>\n\u2022<\/td>\n248<\/td>\n<\/tr>\n
132<\/td>\nMostansir Billah<\/td>\n\u2022<\/td>\n\u2022<\/td>\n\u2022<\/td>\n249<\/td>\n<\/tr>\n
133<\/td>\nBishop Berkely<\/td>\n\u2022<\/td>\n\u2022<\/td>\n\u2022<\/td>\n251<\/span><\/td>\n<\/tr>\n
134<\/td>\nGovernment of Norcia<\/td>\n\u2022<\/td>\n\u2022<\/td>\n251<\/td>\n<\/tr>\n
135<\/td>\nEarly English Metre<\/td>\n\u2022<\/td>\n\u2022<\/td>\n253<\/td>\n<\/tr>\n
136<\/td>\nTroilus and Credseide<\/td>\n\u2022<\/td>\n\u2022<\/td>\n255<\/td>\n<\/tr>\n
137<\/td>\nMiraculous Combustion of wood without ashes, and oil without smoke<\/td>\n256<\/td>\n<\/tr>\n
138<\/td>\nTwo Modes of Atheism<\/td>\n\u2022<\/td>\n\u2022<\/td>\n262<\/td>\n<\/tr>\n
139<\/td>\nSea-fires<\/td>\n\u2022<\/td>\n\u2022<\/td>\n\u2022<\/td>\n\u2022<\/td>\n263<\/td>\n<\/tr>\n
140<\/td>\nGround-fires<\/td>\n\u2022<\/td>\n\u2022<\/td>\n\u2022<\/td>\n266<\/td>\n<\/tr>\n
141<\/td>\nDey<\/td>\n\u2022<\/td>\n\u2022<\/td>\n\u2022<\/td>\n\u2022<\/td>\n269<\/td>\n<\/tr>\n
142<\/td>\nThe Night Mare<\/td>\n\u2022<\/td>\n\u2022<\/td>\n\u2022<\/td>\n270<\/td>\n<\/tr>\n
143<\/td>\nSects in Egypt<\/td>\n\u2022<\/td>\n\u2022<\/td>\n\u2022<\/td>\n271<\/td>\n<\/tr>\n
144<\/td>\nThe Squid-hound<\/td>\n\u2022<\/td>\n\u2022<\/td>\n\u2022<\/td>\n273<\/td>\n<\/tr>\n
145<\/td>\nThe Stigmata<\/td>\n\u2022<\/td>\n\u2022<\/td>\n\u2022<\/td>\n274<\/td>\n<\/tr>\n
146<\/td>\nTree of Life<\/td>\n\u2022<\/td>\n\u2022<\/td>\n\u2022<\/td>\n276<\/td>\n<\/tr>\n
147<\/td>\nTentzelius<\/td>\n\u2022<\/td>\n\u2022<\/td>\n\u2022<\/td>\n282<\/td>\n<\/tr>\n
148<\/td>\nMayor. Merino<\/td>\n\u2022<\/td>\n\u2022<\/td>\n\u2022<\/td>\n287<\/td>\n<\/tr>\n
149<\/td>\nHe shall set the Sheep on his right hand, but the Goats on his left. Matt. xxv. 33.<\/td>\n289<\/td>\n<\/tr>\n
150<\/td>\nDogs at Court<\/td>\n\u2022<\/td>\n\u2022<\/td>\n\u2022<\/td>\n292<\/td>\n<\/tr>\n
151<\/td>\nFeasts<\/td>\n\u2022<\/td>\n\u2022<\/td>\n\u2022<\/td>\n\u2022<\/td>\n294<\/td>\n<\/tr>\n
152<\/td>\nGoldsmith<\/td>\n\u2022<\/td>\n\u2022<\/td>\n\u2022<\/td>\n296<\/td>\n<\/tr>\n
153<\/td>\nAqua Vit\u00e6<\/td>\n\u2022<\/td>\n\u2022<\/td>\n\u2022<\/td>\nib.<\/i><\/td>\n<\/tr>\n
154<\/td>\nTorrid Zone<\/td>\n\u2022<\/td>\n\u2022<\/td>\n\u2022<\/td>\n298<\/td>\n<\/tr>\n
155<\/td>\n*Negroes and Narcissuses<\/td>\n\u2022<\/td>\n\u2022<\/td>\n304<\/td>\n<\/tr>\n
156<\/td>\n* An anecdote<\/td>\n\u2022<\/td>\n\u2022<\/td>\n\u2022<\/td>\nib.<\/i><\/td>\n<\/tr>\n
157<\/td>\n*The Pharos at Alexandria<\/td>\n\u2022<\/td>\n\u2022<\/td>\nib.<\/i><\/td>\n<\/tr>\n
158<\/td>\n*Sense and Common Sense<\/td>\n\u2022<\/td>\n\u2022<\/td>\n305<\/td>\n<\/tr>\n
159<\/td>\n*Toleration<\/td>\n\u2022<\/td>\n\u2022<\/td>\n\u2022<\/td>\n308<\/td>\n<\/tr>\n
160<\/td>\n*Hint for a new Species of History<\/td>\n\u2022<\/td>\n313<\/td>\n<\/tr>\n
161<\/td>\nRabbinical Legend<\/td>\n\u2022<\/td>\n\u2022<\/td>\n\u2022<\/td>\n322<\/span><\/td>\n<\/tr>\n
162<\/td>\nSt. Vitus<\/td>\n\u2022<\/td>\n<\/td>\n\u2022<\/td>\n325<\/td>\n<\/tr>\n
163<\/td>\nBurial Grounds<\/td>\n\u2022<\/td>\n\u2022<\/td>\n\u2022<\/td>\n328<\/td>\n<\/tr>\n
164<\/td>\nImage Worship<\/td>\n\u2022<\/td>\n\u2022<\/td>\n\u2022<\/td>\n330<\/td>\n<\/tr>\n
165<\/td>\nEffect of Domestication upon the Skin and Tendons of Animals<\/td>\n331<\/td>\n<\/tr>\n
166<\/td>\nFiltering Apparatus<\/td>\n\u2022<\/td>\n\u2022<\/td>\n\u2022<\/td>\n332<\/td>\n<\/tr>\n
167<\/td>\nPalestine<\/td>\n\u2022<\/td>\n\u2022<\/td>\n\u2022<\/td>\n333<\/td>\n<\/tr>\n
168<\/td>\nEarth Bathing<\/td>\n\u2022<\/td>\n\u2022<\/td>\n\u2022<\/td>\n335<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

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